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猴哥影院

保沃历险记
美国英语2008
An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.  There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching “I don’t need drums. I am drums!  About the director  Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.

猴哥影院

夏日历险
大陆国语1991
故事梗概:  盼望已久的暑假到了。北京某中学高二年级外号“老外”、“大款”的两名同学相约到外地旅游。经过一番秘密地精心准备,“老外”和“大款”出发了。在家庭和父母双重“高压”管理教育下的两个孩子,能从父母的眼皮子底下成功溜走,获得向往已久的“自由”,两个半大的孩子犹如脱缰的骏马、出笼的黄雀,那种高兴劲儿自不用提。  坐汽车、乘火车,两个孩子出了北京,在人生地不熟的小镇怀揣着一点点的胆怯,更多的欣喜。一天,“老外”和“大款”在途中撞上两个年龄与他们相仿的男孩。正是那句老话:不打不相识。有过短暂的不愉快之后, “老外”和“大款”与有着相同学习生活感受的“大侠”、“哭得胜”成了“志同道合”的生死之交。  从此,四个孩子结伴而行,在一座旧仓库安了家。一天,“哭得胜”看家,其他三个孩子出外打工,“哭得胜”在库房里发现了一块刻有国徽的模板和一铁箱假钞,突然库门大开,一伙人闯了进来,为争夺钱财大打出手。孩子们毕竟不是大人的对手。危急关头,“老外”灵机一动,设法向公安部门报警。经过一番调查,公安部门在四个半大孩子的配合下,将罪犯一举抓获,经历一场夏日暑期惊险的四个孩子,接受警察叔叔的批评教育,在警察叔叔的安排下满怀喜悦踏上了回家的路。  精彩视点:  本片是北京电影制片厂1991年拍摄的一部优秀的儿童题材作品。主演巩立峰和富大龙都是北京电影学院(blog)的学生。影片拍摄时,15岁的富大龙绝对没有想到16年后他能摘取最佳男主角的桂冠。1976年,富大龙出生在北京。8岁时开始接触电影,参与拍摄电影《中彩》,开启自己进入电影艺术殿堂的大门;随后在获“童牛奖”的《少年彭德怀》中出任男主角,成功塑造少年彭德怀形象。1998年,富大龙以优异的成绩毕业于北京电影学院表演系,从此奠定他迈上银幕的重要基石。有着“武术迷”、“京戏迷”、“诗人”等美誉的富大龙有幸结识冯小宁导演,让他走进影片《战争子午线》的开机镜头;当《紫日()》进入筹备期,冯小宁导演又再一次找到他,给了他走向一个成熟的优秀电影演员的机会。真正让观众记住富大龙的,是电影《天狗()》(blog),凭借该片,富大龙获得第二十六届金鸡奖最佳男主角奖、第十二届华表奖优秀男演员奖、第十一届中国电影表演艺术学会奖(金凤凰奖表演协会大奖)。富大龙其他电影作品有《故园秋色》、电视剧《许世友在少林》、《北洋水师》、《寇老西儿》、《无言的爱》、《风云密支那》、《少年包青天()》、《隐姓埋名》、《衙门口》、《归途如虹》、《不做后悔事》、《我是农民》等。

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